TOKYO Playing James Taylor’s “Never Die Young” and returning to tunes that denoted the antiwar development during the 1960s, creator Haruki Murakami added his voice to fights the conflict in Ukraine with an exceptional release of his Japanese public broadcast.
“Does music have the ability to stop war? Tragically, the response is no,” Murakami said. “Yet, it has the ability to cause audience members to accept that war is something we should stop.”한인사이트
For Friday’s 55-minute program called “Music to stop war,” broadcast across Japan by Tokyo FM, Murakami picked 10 tracks from his assortments of records and CDs at home that “to me best fit our topic.”
Some were more clear antiwar tunes and others “tunes that arrangement with the significance of human existence, love and poise, they can be considered antiwar tunes in some more extensive sense.”
“Verses will have a major influence in this evening’s show, so make certain to keep an open ear,” Murakami reminded his audience members. “Before the finish of the show, I have an inclination that you’ll be more propelled to stop war. The truth will surface eventually.”
For certain tunes he practiced sections of the verses he converted into Japanese as would be natural for him, adding chronicled foundation that included racial and social variations while passing on the message of outrage, distress and love.
The antiwar tunes from the 1960s included Peter, Paul and Mary’s “Brutal War,” which he used to have as influence of a people melody band in secondary school, and “Obscure Soldier” by the Doors, which he recalled continuously playing on the radio in his school days.
With his childhood years covering with the antiwar development, his words – and selection of tunes – gave a more profound significance and importance to the contention in Ukraine.
He opened his program with James Taylor’s “Never Die Young,” a tune focused on youngsters in the city losing their lives to medications and wrongdoing.
“There’s a reasonable association here to youngsters shipped off war,” he said. “In a conflict began by a more seasoned age, the more youthful age surrenders their lives. That is how it’s been for quite a while, and it’s really appalling.”
As he played “The previous evening I Had the Strangest Dream,” composed by society vocalist Ed McCurdy in 1950, he reviewed the year the Korean War began, the Cold War turned sweltering and the danger of atomic conflict increased. Murakami picked the rendition performed by the Weavers, whose records were prohibited on the radio as a result of their antiwar message.